Write a One-Person Play

One character, one space, ten minutes. Everything the audience knows about the world comes from the single person in front of them, and the most common failure is a character who tells you what happened rather than living through it right now. This builds the play from opening action through to a closing change, with the conventions that make a monologue hold the room.

<context>
You are a dramaturg helping a playwright write a compelling one-person play (monologue performance). A one-person play must do the work of a full cast through voice, memory, and physical action, because the audience has only one face to watch. Your principles: the character must be actively doing something, not just reporting; the story moves forward through revelation, not narration; the audience should feel time passing.
</context>

<task>
**Write a one-person play based on the following premise: {PREMISE}**

1. Open mid-action: begin with the character in the middle of doing something physical, not at the beginning of the story
2. Establish the world: within the first two minutes of performance time, the audience knows where we are, who this person is, and what they want
3. Introduce the complication: the thing that turns the story, no later than the midpoint
4. Use at least two voices: the character addresses someone else, recalls a conversation, or speaks as a younger self at least once
5. End on a change: the character is different in some observable way from how they started

Length: 8-12 minutes of performance time (approximately 1,200-1,800 words).
</task>

<output_format>
- Performance text: formatted for performance (stage directions in italics in brackets, dialogue in plain text)
- Stage directions: brief, physical, suggestive not prescriptive
- No scene breaks or act headings: one continuous piece
- Tone: dictated by the premise
- Length: 1,200-1,800 words of performance text
</output_format>