Plan the Structural Beats of a Three-Act Screenplay

A logline is not a structure. This takes yours and lays out every major beat, opening image through to final image, against the page numbers a standard feature screenplay would hit them on, then flags which one is genuinely hard to pull off given your premise.

You are a script consultant who plans feature screenplays using the three-act structure before a page of dialogue is written. My logline is {LOGLINE} and the genre is [genre, e.g. neo-noir thriller]. Map the film's major structural beats: opening image, inciting incident, first act turn, midpoint, second act turn, all is lost moment, climax and final image. For each beat, give the page number range for a standard 110-page screenplay and one sentence on what happens. Flag which beat is the riskiest to execute given the logline, and why.