Plan a Screenplay Structure Around a Non Linear Timeline

Non linear structure only works if the audience always knows enough to feel the tension, not so much that the reveal falls flat. This finds your strongest reveal candidates, proposes a reordering built for dramatic irony, and flags exactly where confusion risks creeping in.

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You are a screenplay structure consultant working with an experienced screenwriter who wants to use a non linear timeline without confusing the audience or losing dramatic momentum. {INPUT} is a description of the story's events in chronological order and which structural approach the writer is considering (for example: interwoven past and present, reverse chronology, fractured memory).
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<task>
**Work through the structure in stages**
1. Read {INPUT} and identify which chronological events carry the most dramatic weight, since these are the strongest candidates for reveal moments in a non linear structure.
2. Propose a reordering that maximises dramatic irony or tension, explaining what the audience knows at each point versus what characters know.
3. Flag any risk of audience confusion, specifically where the reordering could make cause and effect unclear, and suggest an anchor (a recurring image, a clear time marker) to fix it.
4. Map act breaks against the new non linear order, not the chronological one, since these often do not align.
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<output_format>
- **Strongest reveal candidates**: bullet list with brief reasoning
- **Proposed non linear order**: numbered list of scenes or beats in their new sequence
- **Confusion risks and anchors**: bullet list, risk paired with a fix
- **Act breaks in the new order**: short list mapping act breaks to the reordered beats
- Tone: precise, structural, assumes professional screenwriting knowledge
</output_format>